Monthly Archives: May 2014

Santiago Merino

Calcinatio – Proiectio, 2014 8´28´´ Using three elements to create an arson: wood, plastic and gasoline on top of a slate of carrara marble, a planned counteraction of compelling consequences is provoked. Fire was predetermined on an urban, architectural model

Santiago Merino

Calcinatio – Proiectio, 2014 8´28´´ Using three elements to create an arson: wood, plastic and gasoline on top of a slate of carrara marble, a planned counteraction of compelling consequences is provoked. Fire was predetermined on an urban, architectural model

Dalia Huerta Cano

Flesh That Remembers, 2009 26´10´´ The story of 9 parts of the body of persons that suffer changes through a year. The animations about body modifications about growth, aesthetics or pathologies are illustrated with stories and images of spaces that

Dalia Huerta Cano

Flesh That Remembers, 2009 26´10´´ The story of 9 parts of the body of persons that suffer changes through a year. The animations about body modifications about growth, aesthetics or pathologies are illustrated with stories and images of spaces that

Cris Gris

0, 2014 04´00´´ 0 is a piece that reminds me of a feeling. my mother is a scientist and when i was little i used to go to her laboratory and played around with all the microscopes. i didn’t know

Cris Gris

0, 2014 04´00´´ 0 is a piece that reminds me of a feeling. my mother is a scientist and when i was little i used to go to her laboratory and played around with all the microscopes. i didn’t know

Lorena Mal

Invisible Structures, 2011 08´00´´ Is a video/drawing project that explores the living space suggesting another dimension of representation, abstraction and experience not determined by language, through a series of interviews to people from different countries and backgrounds who describe the

Lorena Mal

Invisible Structures, 2011 08´00´´ Is a video/drawing project that explores the living space suggesting another dimension of representation, abstraction and experience not determined by language, through a series of interviews to people from different countries and backgrounds who describe the

Federico Perez Villoro

Jackson Wlkwy, 2011 04´11´´ For this piece Federico Perez Villoro went to an urban passageway that was thickly covered with a layer of yellow autumn leaves. He swept these into piles and placed them into white trash bags. During the

Federico Perez Villoro

Jackson Wlkwy, 2011 04´11´´ For this piece Federico Perez Villoro went to an urban passageway that was thickly covered with a layer of yellow autumn leaves. He swept these into piles and placed them into white trash bags. During the

Alejandro Palomino

Breakwater, 2013 02´40´´ Through landscape I seek to reflect on the sensation caused by witnessing uncontrollable situations where rarefied events maintain themselves just one step before the peak. From an aesthetics that rests in the pictorial tradition of German romanticism

Alejandro Palomino

Breakwater, 2013 02´40´´ Through landscape I seek to reflect on the sensation caused by witnessing uncontrollable situations where rarefied events maintain themselves just one step before the peak. From an aesthetics that rests in the pictorial tradition of German romanticism

Amaury Vergara

Marea, 2014 35´00´´ The realization of the immensity of life can be an unbearable thought for some, but for Memo it’s precisely the loss and distortion of reality that generates a fertile limbo in which the mind can freely wonder.

Amaury Vergara

Marea, 2014 35´00´´ The realization of the immensity of life can be an unbearable thought for some, but for Memo it’s precisely the loss and distortion of reality that generates a fertile limbo in which the mind can freely wonder.